Thursday, March 22, 2007

She Was No Lady!!

A highly charged air of excpectancey was tingling as the maestro strode in through the door of the "Old Barn". I could hardly contain myself as I impatiently waited for an introduction to his new mistress. With little more than a wry smile (damn those finely chiselled features) he lowered his voice and confided - "She was no lady" ............Well imagine my disappointment. Apparently after "playing her" all weekend, he just couldn't raise her to the dizzying heights of his exacting standards. And so - another hopeful is cast away like a faded rose petal into the river of unrequited ....................well you get the idea.

Good news - The "fiddle that has no name" has been tweaked to perfection and sounding emacculate - what a work horse she is! We've been really busy recording over the last two days and to answer many peeps about what's on the horizon, well.....We've recorded an exclusive track for Barnes and Noble which will be featured on an album called "Beauty" coming out towards the end of April. 

We're also working on something special that should be ready by Q4 and Volume 2 should hit the streets early 2008!

Doh I've said too much - Laters! (don't you just hate that?)

Thursday, March 15, 2007

A New Lady?

Ollie has a new lady in his life - he's bringing her up to meet me this weekend for a bit of a session ........yeah right ....It's a new fiddle! He gave me a blast over the phone on Tuesday and although the accoustics weren't perfect, she does sound rather fruity particularly down the bottom end. Soooooo... if she's as good as we think she is, we'll probably want to record all the new stuff again!

Someone from B+N who's name I have no idea how to pronounce suggested we do a version of "The Hall of the Mountain King" - funnily enough I'd already done the arrangement and I'm just waiting for Mr Lewis to get his arse up here, so we can nail the blighter! We're going to call it the "Lying King" for many obscure reasons, but mainly cos I like to mess with words. 
If anyone out there has any  classical favourites they'd  like us to consider for our fiendish experiment, please drop us a line with your suggestions (musical please). BTW have you noticed the new forum link underneath the "Fab Slide Show" ....all 
hail to the divine Ms P.

Lastly, we're back on iTunes in the States now, so hopefully we'll be on  the UK site and worldwide before the weekend - Toodles!

Tuesday, March 6, 2007

Deviations Project - Press Release

Deviations Project is a progressive look into many of the most delicate and famed compositions in history, merging skillful performance with modern electronic production. Deviations' is renowned producer Dave Williams and international violin virtuoso Oliver Lewis. Pieces such as Tchaikovsky's "Swan Lake"Bizet's "Carmen" and Bach's "Sonata in G minor" are recreated with modern technology, presenting the listener with something fresh, loosely familiar and remarkably exciting. Contemporary compositions, including Dave William's own masterpieces, John Williams"Theme From Schindler's List" and Fleetwood Mac's "Albatross" blend in perfectly with the classical works, at the same time adding character to the album and identifying a style and genre the Deviations project can call their own. 

The wide range of experience between Dave Williams and Oliver Lewis is apparent throughout the album. Known for his record breaking speed, (he currently holds the world record for the fastest performance of "Flight of the Bumblebee") Oliver Lewis received his musical start as a child prodigy with the National Children's Orchestra of Great Britain. As a professional musician he has performed with the Bern Symphony Orchestra, Heidelberg Chamber Orchestra, and as the star of Spirit of the Dance. His concerts have taken him throughout Europe, the USAustraliaNew ZealandSouth AfricaAsiaBrazil, and even to Trinidad where he performed for the president of Trinidad & Tobago. Currently Oliver plays regular recitals at the Wigmore Hall and with the Royal Philharmonic Orchestra, both of which are box office sellouts. In contrast, Dave Williams began his musical career playing with best friend John Deacon (bassist of Queen) in several different bands. After completing his A levels and receiving a degree in Art + Design, Dave Williams became a songwriter for Warner/Chappell, creating musical jingles for TV & Radio and can be heard all over the world.  Most recently, Oliver performed the work of Dave Williams to over two billion people on national TV in Asia.



The self-titled debut begins with the hypnotic "Really Big Swans," also known as "Four Little Swans" by Tchaikovsky. Immediately the listener is drawn into a mysterious, upbeat, and compelling world, which sets the tone for the rest of the album.  From the wistful "Carmen" to "Tocata in Fog", with its soaring crescendos and dynamic intensity, the listener eagerly begins to anticipate each note. Mike Oldfield's "Tubular Bells" (known on the album as "Les Belles") pairs the violin with the keyboard, leaving a mystical sensation. In contrast, pieces such as "She Too", and the Saint-SaĆ«ns classic "The Swan", move at a slower pace, enhancing the ethereal beauty of the album. The electronic presence in Deviations compliments the styles and compositions perfectly, never once overshadowing the splendor and emotion that seeps from Oliver's violin.  If anything it acts to enhance the compositions, adding power and texture.  

            Once described as Paganini meets Royksopp, Deviations is an incredible mix of "State of the Art" electronic computer technology and the pure, inspiring tones of the acoustic classical violin. Light hearted yet vibrant, Deviations' self titled debut is essential for music enthusiasts.  This album revives standards and invigorates fresh new compositions, creating instant classics. Hailed by the New Zealand media as "…the fastest fiddler in the west…" Oliver's "hyper active bow shredding" style will dazzle you with the unparalleled panache of a true virtuoso.